Currently working as Communication Manager and Dance Curator at the National Production Centre DANCEHAUSpiù based in Milano. His first experience in the world of contemporary dance was in 2012 collaborating with the choreographer Susanna Beltrami to design educational projects for her Academy, where he is currently teaching History of Dance. On behalf of the production centre, he has been carrying out audience engagement projects in collaboration with theatres and festivals. In partnership with the critical review Stratagemmi - Prospettive Teatrali he has designed, DOC – DANCE ON CRITICS, a workshop programme focusing on contemporary dance writing, aimed for dancers and university students. He is co-author of the book Il pubblico in danza - Comunità, Memorie, Dispositivi” (The Dancing Audience - Communities, Memories, Devices), published in 2019. The case studies collected in the book show how artists, critics and programmers are working to deconstruct false expectations related to the word "dance".