Anne-Marie Van is Nach, a dancer and choreographer who developed a strong interest in the krump dance style after watching David LaChapelle’s movie « Rize » and watching dance performances in front of the Opera of Lyon in 2005. From urban rituals on the roofs of the Porte de Montreuil to « Éloge du puissant Royaume » by the contemporary choreographer Heddy Maalem, Nach explores the territory of her inner lights and shades and plays with the ambiguity of her androgynous body, with two beings conversing within a same body. Like all krump dancers, Nach is herself and her avatar. Nach is presenting a personal version of Krump, liberated from the past but loyal to the movement and its creators. Cellule is her first solo.